Olivier shoots and diverts sequences of films on film that he edits in loops on period projectors to compose in space projections of various sizes on all types of surfaces. The noise of the machines produces a form of nostalgic radiance and the music randomly associated with the projections participates in the dynamics of his monumental or minimalist installations. Through these stagings, films and reality are superimposed, creating an augmented reality as if enchanted by the delicacy and simplicity of the work.
